Not like Siodmak’s Phantom Lady, Criss Cross avoids the dreaded “glad ending.” We’re never certain if Anna – who not solely marries Steve’s rival but in addition takes the theft money – is shallow minded, a sufferer or only a conniving basic femme fatale. Criss Cross does not reply the question. As a substitute the ending bluntly snuffs all three lives before anything can be resolved. Like Esy Morales’ Rumba Band’s performance earlier within the movie – it rocks you.
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